Hello {{first_name}}, thank you for being here. You're now one of 3,114 charity leaders and social impact professionals reading this each week, all of us working on the same craft: stories that build trust, unlock funding, and make change visible.

LAST WEEK’S POLL RESULTS
"After a big media moment, what happens to the messages that arrive?"

Last week, after the edition on why your big press hit changed nothing, I asked how you handle the inbox when coverage lands. The split is telling:

  • We reply to every single one, however long it takes: 0%

  • We reply to most, with a simple holding message while we catch up: 33%

  • We reply only to the ones that seem urgent: 33%

  • We do not yet have a process for this: 33%

  • We rarely get any messages after coverage: 0%

  • Something else: 0%

What this tells us: Three-way tie, and the shape of that tie is the real finding. One third of you have a catch-up process in place. One third are triaging by urgency. One third have no process at all. What nobody voted for is "we reply to every message."

The aspiration of replying to everyone is not holding up to the reality of what actually arrives, when it arrives, and how fast. That is a planning gap.

The charities in the first group have accepted the volume and built for it. The other two-thirds are still reacting to each big moment as if it were the first one. This is exactly the infrastructure question this week's edition continues to push at, just applied to a different surface.

WEEKLY POLL

THIS WEEK’S BIG IDEA
When naming them would cause them harm

I have been speaking with a number of UK charity leaders recently, and the same knot keeps surfacing, particularly among those serving vulnerable adults and young people.

They have a story that could change policy, unlock funding, or shift public opinion. They have a person willing to tell it. But naming that person, showing their face, or placing them geographically could cause real harm. Sometimes the harm is physical. Sometimes it is re-traumatisation. Sometimes it is a family member finding them. Sometimes it is a young person being outed before they are ready. The shape of the harm varies. The bind is the same.

So the story sits untold. The impact goes unproven. The pattern continues.

This is the real cost of not solving this problem. Your most powerful stories often belong to people you cannot name, and that is precisely why they matter. Safety is not a reason to stay silent. It is a reason to tell the story differently.

What shape-telling looks like in practice

Let me tell you about a client we worked with at my charity, Naz and Matt Foundation. I will call him Ali. That is not his name.

Ali grew up in a country where being gay was illegal, and where community trials for homosexual activity too often ended in death. He had a relatively happy childhood. A decent life. He worked as a waiter in a small café that served tourists. The price of all of it was to keep his true identity a secret, and he paid that price for years.

Then he met someone. Another man. They fell in love. They were careful, because the stakes were lethal, but one day they were spotted kissing on the cheek in what they thought was a private moment.

As Ali approached his family home later that day, he could hear his father shouting inside the house, things breaking, his mother crying. Something was badly wrong. He did not go to the door. He called the house instead. His mother answered. She said only this: "Don't come home. They will kill you."

Ali stood still, his heart hammering. And then his father came out of the house with a gun. Ali turned and ran. He remembers running as hard as he could until he reached a brick wall at the edge of an alley. He heard the bullet before he saw where it landed. It flew past his ear and buried itself in the wall beside him.

He lived. He hid. His brother, who worked in the country's law enforcement agencies, hunted him for months. A relative eventually helped him escape the country. He is alive today because of that.

I have not told you what country Ali is from. I have not told you the name of his partner, which city he lived in, what his family name is, or what year this happened. Those are the details that, if named, could still put him at risk today. And yet you understand the story. You feel it. You know what is at stake when a charity like ours supports someone like him.

That is what shape-telling looks like.

Three things every charity leader needs to hold about protected stories

First: the heaviest cost is on them, not you.

When someone agrees to share a protected story, they are almost always doing it for one reason. They want to make a difference. They want someone else not to go through what they went through. That is why they say yes.

If you then publish the story and it fizzles, if no one sees it, if nothing changes, you have failed them. Not your charity. Them. This reframes the whole craft. Protecting them in the telling is not enough. You also owe them the work of making the telling count. Otherwise, the cost they paid to share was not worth what came back.

Second: patterns are safer than persons.

One of the most underused techniques in ethical charity storytelling is the composite story. A narrative truthfully built from the shared experience of several clients, disclosed honestly in the telling. Composites protect identity without sacrificing truth. They often carry more weight than individual cases, because they demonstrate a pattern rather than one person's experience. Trust does not collapse when you say "this is a composite." Trust grows.

Third: consent is a live document, not a signature.

What happens when someone wants to withdraw their consent after publication?

If the story is a radio interview, a television broadcast, or a documentary that has already aired, consent cannot meaningfully be withdrawn. The content is already out in the world. If the story is on your website, your social media, or inside your impact report, it can and must be retractable.

Most charities have not pre-decided how they handle that call when it comes. Do you take the impact report down? Republish a version without the story? Who speaks to the person? Who speaks to your trustees? How fast does the team move?

And the person whose story it is must know all of this in advance, in plain language. Informed consent has to include informed irretrievability. If a broadcast cannot be unaired, they need to know that before they say yes, not after.

Framework: The Protected Story Protocol

Five gates any protected story must pass through before publication. I have built this over 11 years at Naz and Matt Foundation, across hundreds of stories from people whose safety depended on our care.

Gate 1. Consent is not the green light.

Even when someone insists they want to go public, your job is to judge the readiness: emotionally, practically, and temporally. Sometimes a client will push us to publish, and we push back, because we can see that the moment is wrong for them. "Is now the right time?" often answers itself once asked.

Gate 2. Declare what you have changed, and why.

Name, age, city, sometimes gender or profession. Alter what must be altered, then say so openly in the telling. Public honesty about the changes builds trust. Hiding the changes erodes it.

Gate 3. Tell the shape, not the surface.

Choose the emotional destination first. Let the pattern do the persuading. Consider whether a composite, truthfully disclosed, serves the reader better than exposing one individual person.

Gate 4. Wrap the person in care, and plan the exit together.

Check-ins before, during, and after. Agree a withdrawal process in advance. Most importantly, make sure the person whose story it is understands, in plain language, what can be retracted across the channels you plan to use (website, social media, impact reports) and what absolutely cannot (broadcast, television, documentary, print already in circulation). Put all of it in writing before anything is published.

Gate 5. Hold your own line as the teller.

When press, funders, or stakeholders push you past where you have chosen to stop, do not say "I cannot answer that." Answer something lightly connected to the question instead. Stay authentic. You are not hiding. You are choosing.

A live example of this framework in motion. For the first time since we launched Out and Proud Parents Day in 2019, Naz and Matt Foundation is this year actively asking even the parents of LGBTQ+ young people not to reveal their identity publicly unless it is absolutely safe. The climate in 2026 is more hostile than it has been in years. The risk to the parent, and to their child being identified through them, is higher than we have ever seen. The Protected Story Protocol is not theory for us. It is how we are deciding, this summer, what we will and will not publish.

Template: The Pre-Publication Checklist

Run every protected story through these nine questions before it goes public. If you cannot answer any of them clearly, the story is not ready.

1. Who could be harmed if the wrong person reads this?

[List the risks. The subject, their family, their community, other beneficiaries, your staff.]

2. Which combinations of detail could still identify them after individual changes?

[Job, city, age, ethnicity, unusual circumstance. Combinations can be a tell even when individual details have been altered.]

3. Have we declared in the telling what we have changed, and why?

[Disclosure builds trust. Record exactly what will appear in the final published version.]

4. Is this story exposing a person, or illustrating a pattern?

[Could a composite built from several clients' experiences, honestly disclosed, serve the truth better and the person more safely?]

5. What care have we wrapped around the subject, before, during, and after?

[Who is checking in, on what days, for how long after publication, and what support they can access if they struggle.]

6. Does the person understand, in plain language, what can be retracted and what cannot?

[Web, social, impact reports: retractable. Broadcast, documentary, print in circulation: not. They must know, in writing, before they say yes.]

7. What is our consent withdrawal process?

[Who they contact, how fast the team acts, which content comes down first, whether the impact report is taken offline or republished without the story, who tells the trustees and funders.]

8. Where are the pressure points we have pre-decided we will not cross?

[What we will and will not say if press, funders, or board push us. Agreed in advance. In writing. Shared with anyone who might be the voice of the charity in that moment.]

9. Is the planned distribution strong enough to make this story count?

[If someone is paying this cost to share, are we giving it a real chance to land? If the answer is "probably not," we owe them better before we publish.]

AI Prompt: Audit a Protected Story

How to use this AI prompt:

  1. Copy and paste the text below into your preferred AI tool (I recommend either Claude or Google Gemini)

  2. Replace the text in [placeholders] with your content

  3. Download my free Social Impact Storytelling Framework
    (ogston.com/framework), then upload it alongside this prompt. It will give the AI the context it needs to give you a genuinely useful response.

AI PROMPT (copy in full):

You are an independent ethical storytelling reviewer. You are not a PR adviser, a fundraising copywriter, or a marketing consultant. Your role is to protect the person at the centre of this story first, and the charity's credibility second. Be direct. If something worries you, say so plainly.

THE PROTOCOL YOU ARE AUDITING AGAINST:

[PASTE THE FIVE GATES OF THE PROTECTED STORY PROTOCOL HERE. Copy them from the Framework section of this newsletter (above), or from your own adapted version.]

CONTEXT I am giving you before the draft:

1. The subject's specific risk profile:
[DESCRIBE: e.g. LGBTQ+ asylum seeker whose family may try to locate them; young person in mental health crisis; domestic abuse survivor with an active ex-partner; beneficiary in ongoing legal proceedings.]

2. The charity's goal in telling this story:
[DESCRIBE: e.g. unlock specific funding, shift policy on X, recruit volunteers, counter a media narrative, drive service referrals.]

3. The consent position:
[STATE: who gave consent, when, in writing or verbally, whether the subject has read the current draft, and whether there have been any prior commitments or exclusions they asked for.]

4. The planned distribution channels (tick all that apply):
- Website / charity blog
- Social media (LinkedIn, Instagram, X, Facebook, TikTok)
- Impact report (digital and/or print)
- Email newsletter
- Press release / journalist brief
- Radio interview
- Television broadcast
- Documentary or short film
- Live event / talk
- Other: [DESCRIBE]

5. Whether this is an individual story, a composite, or unclear:
[STATE ONE: Individual / Composite / Unsure, please advise.]

TASK:

Audit the draft against The Protected Story Protocol and return your feedback in this exact structure. Keep each section to 3-5 concise bullet points unless something genuinely warrants more.

A. Identification risk: flag any individual detail or combination of details (job plus city plus age, unusual circumstance plus ethnicity, etc.) that could still identify the subject even after individual changes. Be specific about which combinations worry you and why.

B. Change disclosure: does the text openly state which details have been altered for the subject's safety? If not, draft a one-sentence disclosure in UK British English I can drop straight into the story.

C. Shape vs surface: is this carrying a pattern, or exposing a single person? Give one or two concrete suggestions for strengthening the shape, for example moving biographical detail out of the spotlight, or converting this to a disclosed composite if appropriate.

D. Consent integrity: for each distribution channel I have ticked, state whether consent can meaningfully be withdrawn after publication. Flag any channel where withdrawal is impossible (broadcast, documentary, print in circulation) and recommend plain language to share with the subject before they finalise consent.

E. Impact readiness: given the cost this person is paying to share, is the distribution plan strong enough to justify that cost? Suggest one concrete upgrade I can make this week.

F. Verdict (required). End with one of the following, and explain in two sentences:
- READY TO PUBLISH
- PUBLISH WITH SPECIFIC CHANGES (list them)
- HOLD BACK (explain why, and what would need to change for this to become publishable)

HERE IS THE DRAFT:
[PASTE DRAFT HERE]

Please respond in UK British English. Challenge my thinking where needed. I would rather you were direct than polite.

Was this AI prompt useful? I'd love to hear from you. Just hit reply if you have any questions or would like to share your results.

Work with me 1:1 - one spot left

If you need help with your storytelling strategy, production, impact/event photos, or an audit of your existing storytelling assets, book a free 15-minute call and let's talk. My rates are charity-friendly.

I have one open spot for one-on-one work with me in May.

The Story Capture System (v1) - free Notion template

Most charity teams lose their best stories before they ever get told. A conversation with a beneficiary. A moment from a site visit. A quote that came up in a trustee meeting. None of it captured, none of it usable.

I've created this free Notion template to give you a simple system for capturing impact stories the moment they happen and tracking them through to publication.

Music that helps me focus

Two Spotify playlists I listen to regularly (I'm listening to #1 as I type this) - full of binaural beats and vocal-free tracks chosen to help you get into deep focus and stay there.

87 tracks - Deep Focus Music for Changemakers
The full playlist I listen to most days. Binaural beats and mostly vocal-free music - headphones on, distractions out.
Subscribe to the playlist

13 tracks - Binaural Beats for Creative Impact Work
Calm, creative, vocal-free. Built for the kind of focused work that needs quiet behind it.

Before you go

If you found this newsletter useful, please forward it to a colleague and invite them to subscribe at:
www.impactstoryteller.org

Until next week, sending you safe and peaceful energy

Matt Mahmood-Ogston
Award-winning impact storyteller, photographer and charity CEO.
Portfolio: ogston.com

Work with me

NEW for May: Work with me one-to-one
Book a 15-minute call to register your interest

Free: Download the Social Impact Storytelling Framework at ogston.com/framework

Keep Reading